I had for some time considered the parallels and similarities between Emily Bronte’s creation ‘Heathcliffe’ and Mary Shelley’s ‘Creature’ and how ideas of revenge drive forward the plots of both Wuthering Heights and Frankenstein. Modern interpretations of both often try and force a romantic plot line onto these works, rather than a Romantic one. In both cases an abandoned child grows up alone, any love or comfort is fleeting and often quickly taken away by fate. Each character grows embittered and determines to take revenge, unlike the Count of Monte Cristo (fairly contemporary to Wuthering Heights) who takes very specific revenge on each of the people who wrong him, these characters take revenge that although directed at one person is a revenge on the whole world – it is savage, raw, visceral.
It made me wonder about the authors, whether these characters were outlets for their own feelings of abandonment (both had mother’s who died young and father’s more concerned with philosophy and theology), the pain of their own loss of children, siblings, loved ones.
In my one off book I imagine a narrative for Frankenstein that tells the story from the Creature’s perspective and pulls out the similarities with Heathcliffe on one side and on the other is a series of visual thoughts about the relationship between Emily and Mary, between Mary and Percy and Byron and about women repressing their raw emotions and putting them into their art. The design of the book was inspired by a facsimile of a German children’s book that has cut outs through the middle of the pages and a zig-zag fold out page formation that allows you to rearrange it so you can create different through views. This seemed to me the perfect vehicle for interpreting a classic novel – one that has gathered many different viewpoints and interpretations over the years.
The book was exhibited at the Liverpool Book Art Fair in 2018. The exhibtion was themed to celebrate the 200th anniversary of the publication of Frankenstein.
Taking stock as the seasons turn I’ve updated various pages on this site and added lots of pictures and media!
26 first draft
You can catch up with my Artist in Residence in My Own Street project here
Find out about my Cheer Up Love! project here
And watch this space for my 365DaysofMum project.
Posted as part of Inktober – October 2018 – part of my Pick and Choose History of Courtenay Street, Kennington and Lambeth:
Spooky Lambeth for Halloween. Featuring two of Cheryl Newey’s favourite south london ghosts – the ghost of the Kennington Loop and the ghost of the Old Vic! The ghost of the Kennington Loop is well known as a story for South Londoners, but only those who fail to get off the terminating train will have experienced it. As it goes into the loop sounds of footsteps are heard moving through the carriages opening and closing the interconnecting doors – so remember when they say ‘all change’ – get off the train! I discovered a fascinating story about the entertainer Roy Hudd – he had a recurrent dream in which he walked up to and then into the same house over and over – he could describe the place in detail, but it wasn’t until he visited some friends living in Ackerman Road in Brixton that he discovered that the house was real and had once been the home of fellow performer, music hall legend, Dan Leno. So precise had been his dreams that Roy could describe each room before he entered it. There is a Lambeth legend that if you run twelve times round the Tradescant tomb (now in the Garden Museum’s garden – once the parish churchyard) whilst Big Ben strikes midnight, a ghost will appear. Sadly I only found this out after Big Ben was silenced for maintenance. Working the occasional late shift for weddings I would have had opportunity to try this out. Ah well, just 5 years to wait! The Imperial War Museum is housed in what used to be Bedlam (the main London insane asylum) and it is said that security guards report the sounds of screams and rattling chains. The Old Vic has, appropriately, a female ghost. She is seen clutching blood stained hands to her breast – whether this is the means of her demise or just a reprise of her best performance as Lady M has yet to be determined – perhaps a job for the Most Haunted team and Dennis Acora? This is just a small selection of the many fun ghosts and hauntings of Lambeth! (I’ve even had my own poltergheist but now exorcised).
Cheryl added the following comment to the original post:
“Spooktastic!! There’s also Lilian Bayliss and Emma Conns at the Old Vic. Apparently, the aroma of frying sausages can sometimes be smelled in the auditorium during a performance, and it’s said that it’s Ms Bayliss enjoying the show and cooking her favourite supper!”
Posted as part of Inktober in October 2018 – part of my Pick and Choose History of Courtenay Street, Kennington and Lambeth
Players & Performers. There may be a second part to this! There are many players and performers from Lambeth but here are a small selection: Charlie Chaplin famously lived at many different addresses in Kennington, including the workhouse – the building is now the Cinema Museum which is threatened with closure – do please sign the petition here to help keep it open! Here
Back in 1831 American actress Ada Isaac Menken caused a storm in the production ‘Mazeppa’ dressed only in a short tunic and flesh coloured tights she was tied to a galloping horse! Daisy Dormer was a music hall artiste married into a large family of performers based in Kennington – her big hit was the song ‘After the Ball is Over’ which went on to sell 5 million sheet music copies in the 1890s! (there is a block of flats named after her in Brixton).
You can here it here
Raffaele Chefalo was one of the great musicians of the early 20th century and a friend of Houdini. On the 1911 census he was living with his wife and child in Loughborough Road, Brixton.
Posted for Inktober, October 2018, part of my Pick and Choose History of Courtenay Street, Kennington and Lambeth
Maypoles, mummers and Morris dancers. The longest standing maypole in London once stood in Black Prince Road opposite the Black Prince pub. It was still in use in 1795. In 1377 the Common Council of England sent 130 men to salute Richard II. They went ‘a mumming’ to Kennington Palace riding in pairs with torches, dressed in red with their faces covered with ‘vizards’ (masks). They presented gifts, drank and danced before returning to the city. Morris dancing still thrives in South London there are at least 9 Morris sides including an all women side (New Esperance) in Borough
From Inktober posts Oct 2018 – part of my Pick and Choose History of Courtenay Street, Kennington and Lambeth:
Theatre and Other Entertainments. We all know that the South Bank is full of glorious possibilities for entertainment, but I’ve lived in Kennington for 20 years and didn’t know that the first Elizabethan playhouse was sited on what is now the road junction between the Elephant & Castle shopping centre and the Strata building! In 1594 Henslowe brought the players here from the Rose (which was closed) and notes in his papers that they performed Titus, Hamlet and Taming of the Shrew. Shakespeare was almost certainly among their number (I do hope they make this into an episode of Upstart Crow!). Down by Westminster Bridge (where St Thomas’ hospital now stands) was Astley’s Amphitheatre – begun by Astley a soldier with extraordinary skill with horses it originally showed only equestrian shows but expanded (to keep up with the competition) to include other circus acts. One of their most famous performers was Pablo Fanque a black equestrian – he even gets a mention in a Beatle’s song! On a huge site between the Walworth Road and Kennington Park Road, with entrances on Penton Place and Manor Park Place was the Surrey Music Hall and Zoological gardens. A 300 ft conservatory, large boating lake and various animals – including 3 giraffes and a rhino occupied a site which is now mostly small streets, the Peacock yards and several blocks of flats – I walk across the boating lake everytime I go to Abacus Arts in Browning Street! We still have the White Bear Theatre on Kennington Park Road (recently refurbished but running since 1988) but it cannot compete in splendour with the Princess of Wales / Kennington Theatre which once stood on the corner of Kennington Park Road and Park Place – a huge edifice with luxurious bars and salons – knocked down in 1949 the site is now occupied by a block of flats.